In my two previous posts, I discussed my week at the Openings Collective artist residency, where, among my breaks editing a documentary project, I photographed my fellow artists working and as portrait subjects. I have little more to add to those words (ignoring my primary reason for attending—a project that remains to be finished and will someday receive its own account), except that I had my camera with me at all times. Most of that was habit, but I never knew where I’d find a fellow resident working, so being prepared was essential.
While wandering and visiting, I’d occasionally find a photograph presenting itself. With no human subject, I consider these environmental still lifes as patient subjects. Given all of the other activities occurring throughout the week, I didn’t make much time for this one, and most were discovered by accident. The main guest house—being quite old and large, with unoccupied rooms and even floors—proved most fruitful.
